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Emails Reveal US State Department Influenced Sony’s “The Interview” so as to Encourage Assassination and Regime Change in North Korea

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Sony’s decision yesterday to cancel its release of The Interview after being hacked and threatened by a group that may or may not be tied with the North Korean government has been the top story in the media ever since. Decidedly less-covered, and almost completely obscured by the cancellation, is another revelation made yesterday about the movie that is actually far more important.

The Daily Beast reported yesterday on leaked emails from the Sony hack which show that the United States government was involved at high levels with the content development of The Interview, especially its controversial ending depicting the assassination of North Korean ruler Kim Jong-Un. As the report’s headline states, “Sony Emails Say State Department Blessed Kim Jong-Un Assassination in ‘The Interview.’” The emails also reveal that a RAND corporation senior defense analyst who consulted on the film went beyond “blessing” and outright influenced the end of the film, encouraging the CEO of Sony Entertainment to leave the assassination scene as it was (in spite of misgivings at Sony) for the sake of encouraging North Koreans to actually assassinate Kim Jong-Un and depose his regime when the movie eventually leaks into that country. According to the Sony CEO, a senior US State Department official emphatically and personally seconded that advice and reasoning in a separate correspondence. The emails also reveal that the U.S. special envoy for North Korean human-rights issues also consulted with Sony on the film.

While a tiny nation state possibly being involved in scuppering a movie premiere by hacking and threatening a Hollywood studio by proxy may be more novel and sensational than yet another psyop by the US Regime Change Machine, the latter is far more important. The United States, as part of its “Asian Pivot,” made an explicit push for assassination and regime change in yet another foreign country under the cover of art and commerce, and the North Korean regime and its ally China are both now 100% aware of it. That has huge implications for politics in the region, for US relations with those countries, for the character and integrity of American art and media, and for the mischievous, generally havoc-wreaking way our government is secretly using our tax dollars.

Imagine how the U.S. and its CIA would respond if a major movie studio anywhere in the world were to make a film centered around the assassination of a sitting U.S. President: especially if a foreign government was involved, pushing for just such an assassination. That North Korea, or any state, might respond with speech-suppressing attacks and threats is not to be excused, but it should be no surprise either. Yet the US was more than happy to help foment a predictable crisis like this, thereby putting its own people at risk. And it did so by surreptitiously penetrating Hollywood to steer it toward using “artistic” existential threats to taunt a nation-state that is such a basket-case that it would only be dangerous to Americans if made desperate by such existential threats. That shows what little regard our “security force” has for our actual security, as compared to pursuing global power politics.

On a side note, this makes one wonder if the State Department also pushed for this other memorable dictator-detonating scene from Charlie Sheen’s 1991 comedy Hot Shots, depicting regime-enemy Saddam Hussein catching a bomb in his lap while sipping a cocktail in his poolside lounge chair.

Here are the key passages from the Daily Beast report (emphasis added):

“The Daily Beast has unearthed several emails that reveal at least two U.S. government officials screened a rough cut of the Kim Jong-Un assassination comedy The Interview in late June and gave the film—including a final scene that sees the dictator’s head explode—their blessing. (…)

A series of leaked emails reveal that Sony enlisted the services of Bruce Bennett, a senior defense analyst at the RAND Corporation who specializes in North Korea, to consult with them on The Interview. After he saw the film, including the gruesome ending where a giant missile hits Kim Jong-Un’s helicopter in slow-mo as Katy Perry’s “Firework” plays, and Kim’s head catches on fire and explodes, Bennett gave his assessment of it in a June 25 email to Lynton, just five days after North Korea’s initial threat.

“The North has never executed an artillery attack against the balloon launching areas. So it is very hard to tell what is pure bluster from North Korea, since they use the term ‘act of war’ so commonly,” wrote Bennett. “I also thought a bunch more about the ending. I have to admit that the only resolution I can see to the North Korean nuclear and other threats is for the North Korean regime to eventually go away.”

He added, “In fact, when I have briefed my book on ‘preparing for the possibility of a North Korean collapse’ [sept 2013], I have been clear that the assassination of Kim Jong-Un is the most likely path to a collapse of the North Korean government. Thus while toning down the ending may reduce the North Korean response, I believe that a story that talks about the removal of the Kim family regime and the creation of a new government by the North Korean people (well, at least the elites) will start some real thinking in South Korea and, I believe, in the North once the DVD leaks into the North (which it almost certainly will). So from a personal perspective, I would personally prefer to leave the ending alone.”

That same day, Lynton responded saying that a U.S. government official completely backed Bennett’s assessment of the film.

“Bruce—Spoke to someone very senior in State (confidentially),” wrote Lynton. “He agreed with everything you have been saying. Everything. I will fill you in when we speak.”

The following day, June 26, an email from Bennett to Lynton—as well as several other forwarded emails—revealed that Robert King, U.S. special envoy for North Korean human-rights issues, was helping to consult on the film as well through Bennett and addressed the June 20 threat by North Korea.”

http://antiwar.com/blog/2014/12/18/state-dept-the-interview/

this whole thing reeks

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The Russian president, Vladimir Putin, has invited the North Korean leader, Kim Jong-un, to Moscow next year to mark the 70th anniversary of the Soviet defeat of Nazi Germany in the second world war, the Kremlin’s spokesman said on Friday.

It would be Kim’s first foreign visit since taking the helm of the reclusive east Asian state in 2011. His personal envoy travelled to Moscow last month as part of efforts by the two Cold War-era allies to improve relations.

“Yes, such an invitation was sent,” a Kremlin spokesman, Dmitry Peskov, told the state news agency, Tass. Russia marks the former Soviet Union’s 1945 victory every year on 9 May.

Moscow needs North Korean cooperation to boost its natural gas exports to South Korea as Gazprom would like to build a gas pipeline through North Korea to reach its southern neighbour.

Pyongyang is also seeking support from Russia, a permanent veto-wielding member of the UN security council, against international criticism relating to accusations of human rights abuses and its nuclear programme.

http://www.theguardian.com/world/2014/dec/19/vladimir-putin-invites-north-korea-kim-jong-un-moscow

well now it suddenly makes a lot more sense

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The Interview....will be showed....the crap film has gotten so much free advertising...peasants will be lining up to watch it....I would not be at all surprised if the whole story was a set up from get go ......

Sony tells AFP it still plans movie release Edited by Dreamwalker.

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^^

depends if it gets shown in cinemas or not, they're losing a huge chunk of money not showing it

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The Interview....will be showed....the crap film has gotten so much free advertising...peasants will be lining up to watch it....I would not be at all surprised if the whole story was a set up from get go ......

sorry maybe i'm misreading, are you saying the sony hack was an elaborate false flag in order to generate interest in this crap film?

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